Guest Post- 3 Things You Need To Know Before Crowdfunding

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Hi everyone! Today I have a special guest author, Grace K. Francis, who has written a guest post about her experience Crowdpublishing her novel. Grace is a German writer and her debut novel, Codename: DEREC was published in April 2016 with the help of publishing company Kladde. Read about her experience and the pro’s and cons of Crowdfunding!


The term crowdfunding has been around for what seems like forever, hasn’t it? Platforms like Kickstarter have given it a huge boost in the last few years. When I first heard about it, I thought it was a great idea for young entrepreneurs to find financial support for their business. I had no idea that the same thing existed for books, which is also known as crowdpublishing.

After finishing the last edit of my manuscript at the beginning of 2015, I had already long forgotten about crowdfunding. The thing I worried about at that point in time was whether I should contact a traditional publisher or dare to go down the path of self-publishing. Self-publishing seemed pretty intimidating to me so I discarded that idea pretty quickly; although I admittedly didn’t do much research on it. Instead, I went on the search for a German publisher, and like every young author aiming to make their debut, I was terribly insecure.

During fall, 2015, I found Kladde, a small publishing house in Freiburg, Germany. That was when the term crowdpublishing entered my life again. Kladde publishes their authors’ books via crowdfunding only, because that’s how they collect the money they need in order to pay their proofreaders, editors, cover designers and so on.

By referencing my own “publishing journey”, let me tell you the most important things you need to know when considering crowdpublishing your work.

1. You still have to decide whether to publish traditionally or self-publish

The number of publishers like Kladde, who only publish via crowdfunding, is significantly low; even more so in the English-speaking publishing world than in the German one. You could, of course, start a crowdfunding campaign for yourself to raise the money you need for your project. But keep in mind that with self-publishing you have to do everything yourself from editing to marketing and everything in between. If you go with a traditional publisher when you crowdfund, they will set up the campaign for you, advertise your novel, and you’ll be able to profit from their experience.

2. There is the risk of not getting fully funded

The thing about crowdpublishing is you take a big step at a very early stage of your publishing journey, and at that early stage you have to be convincing.

The website of my campaign contained a short video of me introducing myself and my novel, an extract of the novel, a synopsis, and a list of “perks” that those who donate receive in return (example: someone who donated 10€ received a copy of the E-Book and a handwritten Thank You card).

This early step can be a blessing and a curse: your audience (aka your possible readers) are the ones who decide whether your book gets published or not. They decide whether it’s interesting enough for them to read. Once they decide “Yes, I want this novel in my shelf,” they will most likely donate, which is of course a great thing because it’s a way for readers to actively be involved in shaping their personal, literary preferences. However, if you’re not convincing enough, they’ll just close the tab of their browser and move on (which would be bad).

It will make you doubt yourself and your work

Trust me, I’ve been through self-doubt with my debut novel.

My campaign started off really well; probably because the first people who donated were family and friends who I had told about my project. I reached the first 15% of the funding threshold within the first two days and I got incredibly excited!

My crowdfunding was set up so that I had a total of 55 days to collect 3000€. After my initial friends and family head start, I received several donations from people I didn’t know (but who most likely read about the campaign on my publisher’s Facebook page). I didn’t start to feel the self-doubt until about 5 days prior to the end of my campaign, when the donation number stopped going up.

You have to know, I can be very pessimistic at times. That was such a point. It made me feel like my book wasn’t good enough to be published. I began to doubt my writing skills, my style, my entire novel because I knew that if I didn’t reach my campaign goal, my novel wouldn’t get published. I was dependent on these readers, and if they left me hanging so close to the goal, I surely must have been not convincing enough, right?

Wrong.

I ended up reaching my goal just a few hours before the deadline ended. I even reached more than what I would have needed.

It was then that I realized that crowdpublishing is indeed a risk, but it’s a risk worth taking, because at least you’ll have people supporting you who are genuinely interested in your book. Of course you’re dependent on them, but hey, at some point in life, everyone is dependent on someone, right?

I’m glad that I took the step of crowdpublishing for “Codename: DEREC” because although it’s nowhere near perfect (the sequel will be so much better), I learned a lot from the experience itself. I learned how to represent my novel and myself as an author on the internet and on social media. I also learned how to deal with self-doubt and even with 2 star reviews, after it was published. And knowing those things can help a great deal once you’re really getting into the “industry”.

And remember, if there are any new opportunities opening themselves up to you, take them. As long as you’ve got “your book’s back,” you can do anything!


GKF

Grace K. Francis is a bilingual author born 1997 in Germany.

She began writing at the age of 10 and published her first book “Codename: DEREC” on April 20th, 2016.

While working on its sequel, she’s now started to work on her first English-speaking project, a homoerotic novel set in Japan.

Grace K. Francis has a partiality for everything Japanese, music, tattoos and cats.

Grace is currently searching for Beta Readers for her newest novel! If you are interested, message Grace on her Twitter (click here).

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Author Q&A- Jonathan Moeller

Today I had the pleasure of interviewing Jonathan Moeller. He is an amazingly fast writer, and has written several awesome books for his various series! If you haven’t read his series, I suggest you get on it! Keep reading to see what Jonathan had to say in the Q&A.

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Q: How long have you been writing? Why did you start?

A: My second year of high school. So, a real long time ago!

I started writing because I used to run RPG campaigns for my friends in high school, and eventually I realized I was much more interested in the storytelling aspects of it than the mechanics, the die rolls and the character sheets and so forth. I started writing short stories, and it sort of snowballed on from there.

Q: What inspires your writing? Do you have a muse?

A: A combination of current events and historical events, mostly.

If I have a muse, I think it’s a combination of discipline and habit. When I’m working on something new, I like to get at least 3,000 words written a day, preferably more. Even if I would rather take the day off and play computer games, I still try to get a minimum of 3,000 words a day. I don’t always succeed, but I do hit my 3,000 words most of the time when working on a new book.

Q: You have written seven series of books, including The Ghost Series, The Frostborn Series, and The Cloak Games Series. Which has been the most fun to work on?

A: Each one has its own merits, I think, and its own enjoyable aspects to write.

For The Ghosts, Caina Amalas has evolved into a very interesting protagonist to write. One reviewer called her a mixture of Sherlock Holmes, Batman, and Valeria from RED NAILS, which I thought a good description of her character. I also like the rules I have for that world – sorcery as a badly understood form of science, no nonhumans except for spirits, and a world that’s kind of like the Western Roman Empire survived to the Renaissance.

For Frostborn, I wanted to write a big, long epic fantasy series (it’s going to be 15 books) that recreated the feel of a really good RPG campaign, one where the characters start out dealing with minor local events of no significance, and ends with them deciding the fates of kings and empires.

Cloak Games is fun because it’s the only series I write from a first-person perspective. Nadia is an interesting protagonist to write. I’ve said that the Cloak Games series would be about a bad guy very slowly and very much against her will learning to be a good guy, and that definitely applies to Nadia.

Q: How much ‘grunt work’ goes into each book you write?

A: Not much, I would say. I used to unload trucks when I was younger, and THAT was definitely grunt work!

In terms of writing a book, I just write it until it’s done. I can usually do a 90,000-word rough draft in about twenty-five days or so.

Q: Which one of your characters do you identify most with?

A: Probably Laertes in GHOST EXILE. Every group needs someone competent to attend to the details, and in my real life that’s usually me. 🙂

Q: Which one of your characters would you want to meet the most?

A: None!

If they ever met me, they would (quite rightly) blame me for their various sufferings, and likely concoct some elaborate means of revenge.

Q: How did you come up with the ideas behind each of your series?

The Ghosts started when I wrote a short story about chivalrous romance that got rejected. So the next story I wrote was the exact opposite, about a cynical spy, and The Ghosts grew out of that.

Demonsouled came out of an Arthur Schopenhauer quote about the innate evil of man.

The Frostborn series began because I wanted to write a series that matched the feel of a good RPG game, and I wanted to write a series that was planned from the beginning, since both The Ghosts and Demonsouled happened pretty organically.

The idea for the Cloak Games series came when I read a really long and slightly boring article about how the mass media is frequently used to influence the public in favor of certain social and political positions. I wondered what that would be like in the hands of someone clever, and I came up with an idea where magic-using Elves from another world conquered Earth and used carefully managed propaganda to keep their hold on power, and the Cloak Games series started.

Q: What are your favorite books? What about them do you like?

A: My favorite books are the ones that adhere closely to the rules of storytelling – as a writer, you can see all the nuts and bolts of a story, so I suppose it’s like a builder visiting a house and admiring the craftsmanship of the construction.

So some of my favorite books are THE LORD OF THE RINGS by JRR Tolkien, KNIGHTS OF DARK RENOWN by David Gemmell, THE HOUR OF THE DRAGON by Robert E. Howard, THE ICARUS HUNT, THE THRAWN TRILOGY, and CLOAK by Timothy Zahn, THE SCREWTAPE LETTERS by CS Lewis, THE BROKEN SWORD and THE HIGH CRUSADE by Poul Anderson, AWAKE IN THE NIGHT LAND by John C Wright, THE HOUND OF THE BASKERVILLES and THE SIGN OF FOUR by Arthur Conan Doyle, IVANHOE by Sir Walter Scott, STEELHEART by Brandon Sanderson, CRYPTONOMICON by Neal Stephenson, and the entirety of the DRESDEN FILES by Jim Butcher.

Lately I’ve been reading THE EXPANSE series by James SA Corey and I like it.

For nonfiction, I think THE MIDDLE AGES by Morris Bishop is one of my favorite nonfiction books. I also like THE DAY OF THE BARBARIANS by Alessandro Barbero, THE FALL OF THE ROMAN EMPIRE by Peter Heather, BATTLE CRY OF FREEDOM by James McPherson about the US Civil War, THE SECOND WORLD WAR by John Keegan, and Alison Weir’s books about the Tudor period.

Basically, my nonfiction reading is all history and technical manuals. (I think MORE DOS FOR DUMMIES by Dan Gookin was perhaps the best technical book I ever read, but it is sadly out of date at this point, though many of the basics of DOS are still applicable to modern Windows.) I do think it is a good idea for a writer to read a great deal of history.

Q: What advice do you wish you received when you started writing?

A: Finish as many books as possible, because in 2011 you’ll discover this thing called the Kindle, and your unpublished manuscripts will suddenly become much more useful!

Q: What is something you want the world to know?

A: If you are a writer starting out, it is better to self-publish than to bother with traditional publishers. I think the best approach (as of February 2016) for a new writer is to write a novel series, and then eventually make the first book free, which will help slowly but surely build an audience.

If you’re a nonfiction writer, I think it is best to start your own website and publish regular articles with an eye towards turning them into a book eventually.

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