Hi guys! Today I have a guest post by Charles Salzberg, one of the three authors behind Triple Shot. His post illustrates how his collaborative writing journey began and evolved to where it is today.
A couple years ago my friend and fellow crime writer, Tim O’Mara, approached me with a proposition. He had just returned from Bouchercon and was excited about a planned website which would offer a download of a different crime novella to subscribers each month.
“I’m going to do it and if you have an idea you might consider doing it, too,” he said.
I’d never written a novella before but it was tempting in large part because they’re usually at least half as long as a novel and, I figured, half as hard to write. So I said, “I’ll give it a shot.”
Years earlier I’d collaborated a screenplay from an idea I’d had about an ambitious female journalist who’s contacted by a woman in prison who’s there for killing her husband and two children. She claims she was framed for the crime and asks the journalist to help prove her innocent. I can’t speak for other writers but I’m always looking for the easy way out and so I figured I’d just rewrite the screenplay as a novella.
The screenplay was optioned several times but, like most scripts in Hollywood, was never made. Every production company that optioned it wanted changes, all of which were either pretty silly or downright insulting. They wanted to soften both characters, and one producer actually went so far as to suggest that the main character, Trish, should be changed to a man. My co-writer and I laughed. First of all, it was essential the character be a woman, because we were playing against stereotypes in that we wanted her to be tough, ambitious, and not above cutting corners to achieve an end when necessary. Besides, did they think changing a woman to a man was merely a function of doing a universal search and changing Trish to Joe and she to he? The answer is, they probably did. We passed on the idea and they passed on the script.
Waste not, want not, so now Twist of Fate the screenplay was about to become Twist of Fate the novella.
The truth is, I was never comfortable writing screenplays. I need more than just dialogue and description. Besides, I initially see the world in words not images. So now, writing a novella, I could get deeper into the motivations of all the characters and, if possible, make the story even darker because I didn’t have to satisfy a whole bunch of cooks who had not idea what the broth is and what makes it tasty.
Twist of Fate was a bit of a departure for me. The two main characters were women, and the story would be narrated by a woman, something I’d never done before. Not only would the two protagonists be women but they wouldn’t be particularly nice women. So much for that old saw about having to like the characters in a book in order to like the book. I’ve never believed that. As far as I’m concerned you have to be interested in the characters, not like them.
I submitted Twist of Fate and soon after I did I told my friend, Ross Klavan, at our weekly lunch about the project and urged him to write something, too. He accepted the challenge and all three novellas, mine, Ross’s and Tim’s, were quickly accepted.
Unfortunately, as good an idea as it might have been the website never materialized and, after a year or so, we started getting restless/ If our novellas were never going to see the light of day, we wanted them back. But what would we do with them? There’s really no market for stand-alone novellas, so Tim and I came up with an idea. Why not get the rights back and, along with Ross, package the three novellas in one collection?
That’s what we did and the result is Triple Shot, a collection of noir crime stories, which is going to be released this month (August).
CHARLES SALZBERG is the author of the Shamus Award-nominated Swann’s Last Song, Swann Dives In, Swann’s Lake of Despair (re-release Nov. 2016), Devil in the Hole (re-release Nov. 2016), Triple Shot (Aug. 2016), and Swann’s Way Out (Feb. 2017). His novels have been recognized by Suspense Magazine, the Silver Falchion Awards, the Beverly Hills Book Award and the Indie Excellence Award. He has written over 25 nonfiction books, including From Set Shot to Slam Dunk, an oral history of the NBA, and Soupy Sez: My Life and Zany Times, with Soupy Sales. He has been a visiting professor of magazine at the S.I. Newhouse School of Communications at Syracuse University, and he teaches writing at the Writer’s Voice and the New York Writers Workshop where he is a founding member.
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